She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. He did not look up, so he did not know that in her other hand she held a glass of wine. He's a model of conjugal attachment and fidelity, a pattern to his family, and an example to his neighbours. ’ There was satisfaction in Melusine’s voice.
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