’ Chapter Six Creeping along the dark narrow passage, with lantern held well ahead to keep her step steady on the uneven stones—and to warn her of the advent of rats— Melusine kept her long petticoats fastidiously clear of the dirt with an efficient hand, a habit she had learned in the convent. The program was to include a Bach cantata, her favorite piece from Rimsky-Korsakov’s Scheherazade, and for the first time ever, a student composition, a Concerto, by a precociously talented fellow student named Martin Chen. It’s to do with adolescence.
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