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And, in applying the term to his friend, Thames meant to pay him a high compliment. This lifeless appearance was heightened by the extreme sharpness of her features—especially the nose and chin,—and by the emaciation of her limbs, which was painfully distinct through her drapery. Jonathan Wild's House in the Old Bailey XVII. Who could say that the two weren't in collusion? When a chap like Spurlock jumped the traces, cherchez la femme, every time.
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