‘Mademoiselle. His face darkened. The galleries adjoining it were crowded with spectators,—so was the roof of a large tavern, then the only house standing at the end of the Edgeware Road,—so were the trees,—the walls of Hyde Park,—a neighbouring barn, a shed,—in short, every available position. Her lover, Darrell, has embarked upon the Thames, where, if he's not capsized by the squall, (for it's blowing like the devil,) he stands a good chance of getting his throat cut by his pursuers—ha! ha! I tracked 'em to the banks of the river, and should have followed to see it out, if the watermen hadn't refused to take me. Sheppard. While the cloth was laid, the host and Thames descended to the cellar, whence they returned, laden with a number of flasks of the same form, and apparently destined to the same use as those depicted in Hogarth's delectable print—the Modern Midnight Conversation.
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